Meet the Artists
Handmade & unique
Every piece is its own individual being. Even when I make sets, every cup and bowl feels just a little bit different in your hands. The one thing they all have in common is my care and attention to detail. I use my lifetime of experience working with my hands to translate soft earth into something as comfortable in your hands as it is beautiful. I am always expanding my collection and finding new forms that feel good so keep checking back to see what I'm up to next. I may even be at a fair or store near you!
Considering the body
The main thing on my mind when I make my pottery is nourishment. It is a prayer that I make for myself and the world; that the time we spend eating is a soulful and healing experience. With that in mind, I design the curves of my pieces to fit into your hands in a way that is so radically comfortable, it invites you to savor the experience and the food you eat.
My Pledge
In the spring of 2020 I joined a town hall meeting held by Rachel Rodgers of Society Seven where I listened to Rachel and her brilliant guests talk about creating an anti-racist world one small business at a time. I took a pledge to openly and transparently make moves in my self and my business to help dismantle white supremacy and support Black people and businesses. You can find the recording of that meeting and sign the pledge yourself here. It changed my life and I know it can change yours.
I will continuously make moves to uphold this pledge and keep you updated in my blog. My first move is to make a monthly donation of $10 or 10% of my online sales, whichever is higher to The Okra Project. This NYC based organization is working to feed Black Trans Folx in the New York, New Jersey, and Philly areas. I am beyond thrilled to support such an intimate and vital project, I am weeping with gratitude as I write this. The entire reason I make pottery is to feed people’s bodies and souls, so when I heard that this group of people is doing exactly that, I knew we were in perfect alignment.
Wood Fire
My favorite process is wood firing. I don’t get to do it often, but when I do it’s a real treat. I love the way the clay remembers the crashing waves of fire and how there’s just no controlling what the glazes will do.
The Kiln
This is a two-chambered wood and salt kiln, also called a noborigama kiln. After it’s loaded, the door is hand-stacked out of bricks and the fire starts as a small campfire.
The Fire
Later on in the night, the small campfire grows much larger and we feed it strategically to continue its growth in both size and temperature. Eventually, it’s a swirling inferno and those of us who tend it are exhausted, but exhilarated by the pure energy of it all.